
(Source: theyoungradical, via legocaltrops)
Johnny Cash - “Hurt”
‘I pop the video in, and wow… Tears welling, silence, goose-bumps… Wow. [I felt like] I just lost my girlfriend, because that song isn’t mine anymore… It really made me think about how powerful music is as a medium and art form. I wrote some words and music in my bedroom as a way of staying sane, about a bleak and desperate place I was in, totally isolated and alone. [Somehow] that winds up reinterpreted by a music legend from a radically different era/genre and still retains sincerity and meaning — different, but every bit as pure.’
—Trent Reznor
you’re right mate, it’s not yours anymore
(Source: radiodarkside, via tamaulipana)
Flavio Costantini (1926 – 2013) ‘The Art of Anarchy’
Flavio Costantini was born in Rome, Italy, in 1926. He served in the Italian Navy before becoming a commercial graphic artist in 1955. He has illustrated several books including The Art of Anarchy (1974), The Shadow Line (1989) and Letters from the Underworld (1997).
More often than not it is the artist, writer or poet, rather than the historian or sociologist, who succeed in capturing the spirit of an age; in so doing, they make an important contribution to our understanding of society. Flavio Costantini is such a person. He sadly passed away on 20th May 2013.
I just read this report about how police hid evidence in the original Hillsborough inquest in order to protect themselves.
And I got pissed off so I googled Bernard Ingham (because he wrote this disgusting letter to one of the mothers of the victims were he basically tells her to fuck off) to find out how old the cunt is in the hope he’ll die soon.
And he’s 80, so we’re in business. Not long to go now you old fucker.
(via the-freedom-paradox)
Iraqi officials have found three mass graves containing the bodies of about 1,000 people thought to have been executed by US soldiers during their occupation of the country.
The graves were uncovered in Iraq’s western province of al-Anbar. The remains are believed to be from victims killed by US forces during 2004 and 2005 in the city of Fallujah, located roughly 69 kilometers (43 miles) west of Baghdad.
‘believed to be”, we all know what the scum did to Fallujah.
(via mademoisellealiyah)
Globalization is not a natural, evolutionary, or inevitable phenomenon, as is often argued. Globalization is a political process that has been forced on the weak by the powerful. Globalization in not the cross-cultural interaction of diverse societies. It is the imposition of a particular culture on all others. Nor is globalization the search for ecological balance on a planetary scale. It is the predation of one class, one race, and often one gender of a single specie on all others. ‘Global’ in the dominant discourse is the political space in which the dominant local seeks control, freeing itself from local, regional, and global sources of accountability arising from the imperatives of ecological sustainability and social justice. ‘Global’ in this sense does not represent the universal human interest; it represents a particular local and parochial interest and culture that has been globalized through its reach and control, irresponsibility, and lack of reciprocity.
Globalization has come in three waves. The first wave was the colonization of the Americas, Africa, Asia and Australia by European powers over the course of 1, 500 years. The second wave was the imposition of the West’s idea of ‘development’ on non-Western cultures in the postcolonial era of the past five decades. The third wave of globalization was unleashed approximately five years ago as the era of ‘free trade,’ which for some commentators implies an end to history, but for us in the Third World is a repeat of history through recolonization. Each wave of globalization has served Western interests, and each wave has created deeper colonization of other cultures and of the planet’s life.
(via mademoisellealiyah)
(Source: queerintersectional, via themindislimitless)